Ceramic sculpture

In this video, we will explore the Shimpo Handheld Extruder. We will demonstrate operating this tool, show how to change the different dies, and discuss the advantages of adding this Extruder to your tool kit.

In this video, we will show you how to make a whimsical Fairy House from start to finish. Here, you'll find the tools and glazes you'll need to bring your creative vision to life. And, we'll give you ideas for designing a unique Fairy House of your own! Hint: a sprinkle of creativity and a wish on your kiln will be an invitation for the fairies to play! Enjoy!

Today on the Bailey Blog we'll show you how to create ceramic animals! In this five minute video we'll demonstrate making an animal figurine from start to finish. You'll see how we do everything from forming the clay to applying glaze and firing in a test kiln. And, we'll be sharing our material choices with you so you can be ready to put this project to use with your class or at home! This project would be excellent for children or young adults. We hope you enjoy! 

The potter's life as lived by Gerry Williams was exceptional. Gerry Williams will always be remembered for his outstanding contributions to the field of ceramics.

Forty years of innovative ceramic work began with functional earthenware made with red clay he dug from New Hampshire's mudflats. Always changing and evolving, his lifetime body of work includes red earthenware, porcelain, and stoneware; gas-fired and wood-fired; functional ware, sculptural forms, wall plagues, and bold political sculpture. His original research in wet fire technique and his photo resist technique were groundbreaking.

Co-founding both Studio Potter and Phoenix Workshops with his wife Julie in 1972, the Williams were able to share Gerry's love of and enthusiasm for our humble medium worldwide. A potter's life well lived, indeed.

“That was the nice thing about clay,” he said. “If you didn’t like the way something really was, you could always fix it up,”

The exuberant, playful work of David James Gilhooly made him an international sensation in the late 60s through the early 80s. His whimsical ceramic creations began with animals, including zebras and anteaters, and then there were frogs, lots and lots of frogs.

"I find the frustrating part with ceramics is also the exhilarating part. All could be lost in the kiln if a glaze doesn’t work out, or if something was too wet or too dry. It doesn’t happen often but it is also the addicting part — that moment of opening the kiln is like Christmas morning! Did all my hard work pay off? Did something exciting happen that I wasn’t expecting?

Bringing movement to the traditional forms of pottery has always been on James Lawton’s mind. Early work has floating furniture, falling pots, and clothing flying by as if inhabited by the Invisible Man. In many pieces, there are several constructed forms coming together to make a flowing, cohesive statement, while always maintaining the utilitarian functionality of his vessels, teapots, vases, and flasks.

Tania Rustage's photos on Instagram @taniarustageceramics capture the charm of her whimsical ceramics with attitude. Tania uses commercial glazes, underglazes, and stains; sponging, brushing, dipping or spraying them to get the effects she wants. She generously shares before and after pictures of the glazing process on Instagram.

On Friday, March 8, 2019, artist Kiki Smith and her Columbia University graduate students toured four arts-related businesses in the Kingston Midtown Arts District.

I first met Betty Woodman in 1971 in Antella, Italy. Betty and her husband George had just recently bought a small, stone house perched on a hillside overlooking olive groves with dreamlike Florence in the distance. Betty's studio was under the house. It was very simple and small with a treadle wheel and basic shelving.