Blog

Create your own ceramic oval platter perfect for serving up holiday dishes. Complete with a leaf motif and a rustic look using oxides and glaze, this design will transform any meal into a celebration! We've got all the tools and the instructions you need to create this ceramic platter. Follow along!

Follow along as we demonstrate how to create an underglaze transfer using any basic black and white print out or photocopy from a laser printer. Here, we transfer a Halloween themed image in black underglaze onto a leather-hard platter.

“This technique provides a wide range of bright, sharp colors. More importantly, I feel the majolica technique best allows me to convey the kind of attitude or feeling I want my pottery to invoke – that is one of lightheartedness.”

Stanley Mace Andersen’s functional earthenware tableware certainly achieves his goal. The exuberance of his flowing brushstrokes creates a rush of good feelings, like a walk through a meadow on a perfect summer day.

Tania Rustage's photos on Instagram @taniarustageceramics capture the charm of her whimsical ceramics with attitude. Tania uses commercial glazes, underglazes, and stains; sponging, brushing, dipping or spraying them to get the effects she wants. She generously shares before and after pictures of the glazing process on Instagram.

On Friday, March 8, 2019, artist Kiki Smith and her Columbia University graduate students toured four arts-related businesses in the Kingston Midtown Arts District.

In England, where Richard Batterham was born in 1936, he is considered the leading living maker of domestic stoneware. It’s a reputation that has been made by a life spent diligently working with discipline and talent to perfect his functional forms and lovely muted glazes.

Interested in craft and design from a young age, Richard studied at the Bryanston School. He was taught pottery by Donald Potter who had worked with Eric Gill and Michael Cardew. After his National Service, he apprenticed with Bernard Leach at St. Ives for two years. He married Dinah Dunn in 1959, and they set up housekeeping in Durweston, Dorset.

Bringing movement to the traditional forms of pottery has always been on James Lawton’s mind. Early work has floating furniture, falling pots, and clothing flying by as if inhabited by the Invisible Man. In many pieces, there are several constructed forms coming together to make a flowing, cohesive statement, while always maintaining the utilitarian functionality of his vessels, teapots, vases, and flasks.

Fifteen years after graduating from High School, Tom Guell returned to the pottery wheel that he had loved so much during a senior year Independent Study in Pottery. He tells us about his journey juggling a full-time job as a union ironworker, a young family, and aspiring potter in rural Wisconsin.

Thomas TC Staton's photos on Instagram capture the sheer beauty of crystalline glazes. Starbursts of indigo, violet and pink are perfectly frozen in time. His glazes, developed by Matt Katz of Ceramic Materials Workshop are created with the help of a handful of Bailey Equipment items. We caught up with TC to find out more about his ceramic process after he tagged his work #MadewithaBailey.

A Guest Blog Post by Vanessa Mattsson-Boze. My love of clay started on the wheel, but since my time in the studio is so often piecemeal, I have found myself hand building more and more. These heart dishes started as a playful attempt at using up some random clay scraps, and have evolved over time as I have refined the form. They are relatively quick and uncomplicated, and a fitting Valentine’s Day project.