Ceramic Museum
Hear Me Now: The Black Potters of Old Edgefield, South Carolina
Anne & Jim Bailey's visit to the exhibit
Artist Feature: Anat Shiftan
Views inside Anat Shiftan's studio and exhibition Life & Still on display at the Zillman Art Museum.
Edmund de Waal in Paris
After a few days in London Jim and I ventured off by train to Paris. It’s a comfortable and convenient way to get there and when we arrived the city was just bustling with people. After so many lock-downs in Paris the joy in the air was palpable. We found ourselves smiling and laughing along with everyone we passed. The sound and sight of children playing freely without masks was emotionally overwhelming and reminded us of how much Covid has affected us all. Read more...
Mystery Pot 43 Maker, Helen Naha "Feather Woman"
The maker of our Mystery Pot 43 is Helen Naha, the matriarch of a Hopi-Tewa clan of potters who sign their pots with a stylized feather. Our pot is a beautiful example of her Black on White pottery. The Awatovi star design was revived by Feather Woman over her lifetime. One of several designs she developed from shards she collected from the Awatovi ruins.
Read on for a detailed biography of this remarkable Native American Pottery Legend by Grey Wolf Gallery in Arizona. Visit their website https://greywolfgalleryaz.com/ for old and current Native American Artist.
Mystery Pot 38 Maker James Lawton
Bringing movement to the traditional forms of pottery has always been on James Lawton’s mind. Early work has floating furniture, falling pots, and clothing flying by as if inhabited by the Invisible Man. In many pieces, there are several constructed forms coming together to make a flowing, cohesive statement, while always maintaining the utilitarian functionality of his vessels, teapots, vases, and flasks.
Mystery Pot 37 Maker Richard Batterham
In England, where Richard Batterham was born in 1936, he is considered the leading living maker of domestic stoneware. It’s a reputation that has been made by a life spent diligently working with discipline and talent to perfect his functional forms and lovely muted glazes.
Interested in craft and design from a young age, Richard studied at the Bryanston School. He was taught pottery by Donald Potter who had worked with Eric Gill and Michael Cardew. After his National Service, he apprenticed with Bernard Leach at St. Ives for two years. He married Dinah Dunn in 1959, and they set up housekeeping in Durweston, Dorset.
Why We Travel, Visiting San Francisco
Summertime is a great time to travel and we hope that if you are out and about in New York you will come to visit us in the beautiful Hudson Valley. We like to travel too and it is fun to mix travel with the opportunity to visit schools we do business with and our customers.
The Legacy of Val Cushing
Featured Work in the Bailey Collection
Voulkos: The Breakthrough Years
At the Museum of Art & Design in NYC
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