Ceramic Artist

“That was the nice thing about clay,” he said. “If you didn’t like the way something really was, you could always fix it up,”

The exuberant, playful work of David James Gilhooly made him an international sensation in the late 60s through the early 80s. His whimsical ceramic creations began with animals, including zebras and anteaters, and then there were frogs, lots and lots of frogs.

Born into a long lineage of accomplished, traditional pueblo potters in 1970, Cavan Gonzales has added his unique 21st-century interpretation. He has been a leader in the revival of San Idelfonso polychrome pottery. This technique involves the application of three or more layers of colored slip to create designs. Cavan's fine graphic arts skills have been applied to creating new designs inspired not only from the past but also the present by adding elements of technology such as solar energy.

Bringing movement to the traditional forms of pottery has always been on James Lawton’s mind. Early work has floating furniture, falling pots, and clothing flying by as if inhabited by the Invisible Man. In many pieces, there are several constructed forms coming together to make a flowing, cohesive statement, while always maintaining the utilitarian functionality of his vessels, teapots, vases, and flasks.

Tania Rustage's photos on Instagram @taniarustageceramics capture the charm of her whimsical ceramics with attitude. Tania uses commercial glazes, underglazes, and stains; sponging, brushing, dipping or spraying them to get the effects she wants. She generously shares before and after pictures of the glazing process on Instagram.

On Friday, March 8, 2019, artist Kiki Smith and her Columbia University graduate students toured four arts-related businesses in the Kingston Midtown Arts District.

In England, where Richard Batterham was born in 1936, he is considered the leading living maker of domestic stoneware. It’s a reputation that has been made by a life spent diligently working with discipline and talent to perfect his functional forms and lovely muted glazes.

Interested in craft and design from a young age, Richard studied at the Bryanston School. He was taught pottery by Donald Potter who had worked with Eric Gill and Michael Cardew. After his National Service, he apprenticed with Bernard Leach at St. Ives for two years. He married Dinah Dunn in 1959, and they set up housekeeping in Durweston, Dorset.

A Rich and Rewarding Life

by Jim Bailey

I first met Betty Woodman in 1971 in Antella, Italy. Betty and her husband George had just recently bought a small, stone house perched on a hillside overlooking olive groves with dreamlike Florence in the distance. Betty's studio was under the house. It was very simple and small with a treadle wheel and basic shelving.

The First Annual Event